Archive for the ‘Production’ Category

When Reality Isn’t What It Seems

Wednesday, June 6th, 2007

Recently, Sam Leccima, a regional host of A&E’s popular show Flip This House was accused of fraud following a story by Atlanta television station WAGA.

In the story, Leccima is accused of “fixing up” houses on the program with shoddy or temporary repairs that looked good on camera but didn’t actually make the house any nicer or safer. The bigger issue though is how Leccima allegedly had his friends or family members pose as potential buyers to the “flipped” house, then “sold” the house to the buyer even though he didn’t own the house. The reaction from A&E was fast and predictable: all reruns of the program featuring Leccima were pulled and any references of him on the network’s website were removed. What’s interesting though is what Leccima claims A&E, and the production company Departure Films, knew about the scam he was pulling. In short, he claims they knew exactly what he was up to.

In an Associated Press report on the allegations, Leccima claims, “Ask anybody who works in television how a reality show is made and you’ll find that ours was a very typical approach.” Leccima is right in this assessment, and it once again exposes one of the pitfalls of reality programming: it’s not always as real as it seems. Fudging the truth for the sake of entertainment (and larger ratings) is no secret in the reality TV world. Whether it was “re-doing” contest scenes in Survivor or cleverly editing audio on any of the popular dating shows to make a suitor seem nicer or bitchier, production companies and networks know that 100% truth does not stream from the final product. The networks and production companies also shouldn’t expect that to change as a poll by TIME magazine in 2006 showed more than half of the respondents weren’t looking for honesty in their favorite shows anyways. In fact, only 25% of the respondents thought reality shows were almost entirely or completely fake.

But this story has an interesting twist, far more alarming than “did so-and-so do such-and-such behind the bushes in that one episode”. Leccima claimed in the program he was a successful Atlanta-area real estate investor. Problem is, he wasn’t licensed. In fact, his license was revoked by the Georgia Real Estate Commission in 2005, a full year before his episodes were aired. The reason for the revocation: he “does not bear a good reputation for honesty, trustworthiness, integrity, and competence.” These claims were made after several complaints were filed from investors who said Leccima stole their money. After Leccima’s episodes aired on A&E, his phone allegedly rang off the hook from potential investors who wanted to give money to a man who apparently could fix up anything. Basically, this program became an infomercial for an alleged crook.

That’s the biggest problem in this whole mess. Nevermind the smoke and mirrors Leccima allegedly pulled out for his shows, but look at the greater picture of how everyone turned a blind eye to this guy’s past for the sake of a network’s highly-rated program. Networks keep pumping out reality programming because it’s cheap to produce, often featuring “every day people” or unheard of hosts who are cheap to work with. There’s rarely an expensive set or pricey actors to deal with, so the network makes money hand over fist with high ad rates for the most popular programs.

But when the network can’t see the forest through the trees, and can’t do its diligent homework on who they’re showcasing on their network, the reality of promoting a con artist is too real and all too possible.

The Importance Of Good Production

Thursday, March 8th, 2007

In the time that I have spent in the production world, and now in the advertising world, I’ve been able to see just what goes into a successful campaign to market a product or service. If you are new to the world of advertising or just intrigued by what goes into making a successful campaign work I think you will find that it’s all about doing the research on who your product or service appeals to, but also how your product or service is represented to your clients.

Click below to listen to the podcast…

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When is a Podcast not a Podcast?

Friday, February 16th, 2007

OK, hold on to your hats…I am about to reveal a startling fact…I don’t like Podcasting! What I really mean is, I don’t like the word. It implies that you need an Ipod to listen to podcasts, (Uncle Seth has a great song to that effect… YouTube Video Link ) I really love the technology, the creative aspects, the whole magilla. But, podcasting is a misnomer. It also is too narrow of a term for what is going on behind the scenes with the tech.

The easiest way to describe a podcast is any multimedia content that you can subscribe to, is delivered using RSS (really simple syndication), and automatically downloads each time new content is updated. Really. That’s it. It can mean audio, video, pictures, music, blogs, text…see?  The term Podcast is really too narrow for what is going on. I am proposing a new term be used…NETCASTING. It implies the “broadcast” method of delivery, but the time-shifing of Podcasting and Subscription of content still remains implied. I did not coin this term, in fact, it’s been used before, with limited success.

But now, Leo Laporte, a TV and Radio Technology show host, and frequent podcaster, has a movement to use the term NETCASTING. In fact, his entire network of shows now uses the NETCAST moniker.

What really gets me is the way that “PODCASTING” is now such a buzzword, that every media outlet uses the term without really knowing that most of what they post is not a Podcast.  Remember, Podcasting implies that you MUST be able to subscribe to the content, or feed (just like this blog!)  The RSS button, or XML, or what have you, provides that channel.  Content producers that post files without the RSS tag, or channel buttons, are not creating podcasts, but simple downloads, on static pages.  This is no different than having to get out of your chair, go to the store, and buy or rent a new DVD, bring it home, pop it in, and watch the show.  Or, like NETCASTING, you can get your remote, change the channel, and get a “Movie on Demand”, pre-recorded, ready for you to pay and view (or pay-per-view, as it were).  Which sounds more convenient, and more desirable?  Consumers of music, videos, and other entertainment mediums are more ravenous and desire more varied content, and they will use the new channels created by podcasters…(now NETCASTERS!) as long as they provide quality goods, on a consistant basis.  YouTube knows this, and has begun to reward their top video producers, and their ranks, as well as the content is growing, at an amazing rate.  It won’t be long before most content is delivered in a similar fashion.

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